sexta-feira, 7 de outubro de 2016

Gothic

GOTHIC

Directories









Texts






Gothic architecture







Manuelin style




 Illuminators





Miniatures


Mosaic


TORRITI, Jacopo
Cotoaçao de Nossa  Senhora




Sculpture


AGOSTINO DI GIOVANNI


ANTELAMI, Benedetto
File:Citole, rosette (ca. 1180) by Benedetto Antelami, Parma.jpg
Juno


ARNOLFO DI CAMBIO
File:Arnolfo di Cambio, Riccardo degli Annibaldi tomb.jpg

Acolitos

Nossa Senhota dos olhos de vidro

BONINO DA CAMPIONE.



Nossa Senhora e a Criança



Profeta


Nossa Senhora e a Criança





Painting

ALTICHIERO DA ZEVIO
File:Altichiero Head of the Virgin.jpg
Nossa Senhota

Execuçao de S.Jorge

ANDREA DA FIRENZE
Descida  de Cristo ao limbo
Descent of Christ to Limbo detail Paintings | Da Firenze Andrea paintings
Descida ao limbo

ANTONIO VENEZIANO
File:Nativity Aretino-Veneziano.jpg
Natividade

BARNABA DA MODENA
File:Barnaba da Modena 001.jpg
Nossa Senhora e a Criança

BARTOLO DI FREDI
File:Fredi, Bartolo di - 'Presentation of Mary in the Temple, ca. 1360, Tempra & Gilding on wood, 29 x 43 cm.jpg
Apresentaçao de Maria no Templo

BASSA, Arnau

File:Arnau Bassa e Ramon Destorrents - Santa Ana ensinando a Virgem a ler.jpg
File:Arnau Bassa - Triptych with Madonna and Child with the Crucifixion and the Annunciation - Walters 37468 - A T Detail A.jpg
Triptych with Madonna and Child with the Crucifixion and the Annunciation on the Left and the Presentation and Coronation on the Right

BASSA, Ferrer
Three Women at the Tomb  678, BASSA, Ferrer
Tres mulheres no tumulo

BELLECHOSE,  Henri

Ultima Comunhao e martirio de S. Dinis

BELLINI, Jacopo

Nossa Senhora com a Criança
  

BERLINGHIERI, Bonaventura

S. Francisco

BORRASSA, Lluis
S- Pedro andando na agua

BROEDERLAM, Melchior

CAPANNA, Puccio
File:Puccio Capanna - Martyrdom of St Stanislas - WGA04046.jpg
Martirio de S.Estanislau

CAVALLINI, Pietro
File:Pietro Cavallini 013.jpg
Anunciaçao
Last Judgement, CAVALLINI, Pietro
Ultimo Julgamento


GENTILE DA FABRIANO
Nossa Senhora da Humildade
File:Gentile da Fabriano Adoration.jpg
Adoraçao dos magos
Anunciaçao

GIOTTINO
File:Giottino pieta.jpg
Piera de S.Remigio

GIOTTO DI BONDONE 
Crucifix 1310-17 - Giotto Di Bondone - www.giottodibondone.org
File:Dante-alighieri.jpg
Dante
Lamentaçao


GIOVANNI DA MILANO

Nascimento de Maria
File:Giovanni da milano, pietà.jpg


File:Giovanni da Milano - Coronación de la Virgen.JPG


GIOVANNI DEL BIONDO
File:Giovanni del Biondo - The Archangel Gabriel.jpg
Arcanjo Gabriel
File:Giovanni del Biondo - Martyrdom of St Sebastian and scenes from his life.jpg
File:Giovanni del Biondo - H. Stephanus.jpg
S. Estevao


GIUSTO DE’ MENABUOI
Paradise
Paraiso






UNKNOWN MASTERS, Austrian
14 MASTER AUSTRIAN UNKNOWN THE NATIVITY.jpg - 14 Master Austrian unknown The Nativity
c. 1400
Tempera on walnut, 41 x 29,5 cm
Galerie mittelalterlicher österreichischer Kunst, Vienna

 
The artist of this painting is referred to as Master of Salzburg.

In this picture the scene of the Nativity is represented according to an apocryphal story of the Gospel: the Virgin is reclining on her bed while two midwives are on the point of giving a bath to the Infant. The woman in green is taking the Child from His mother, while the other is taking care that the bathwater is at right temperature. The bath puts an emphasis on the human aspect of the divine Child and is a hint to baptism. Joseph is seated on the right-hand side deep in thought. He holds his staff with his left hand, and is supporting his head with his right hand. The ox and the ass at the manger in the back seem to warm the straw and the small cambric kerchief with their breath.

In addition to some stylistic resemblances the painting is reminiscent in other respects too of the Trebon Master's picture of the same scene. In both pictures the composition is divided by the building of the stable, with the difference that here the supports of the stable look like the frame of the scene represented, and divide the surface into two parts and not into three. In both pictures the supporting pole, emphatically placed in the foreground, separates Joseph, who views the events from the back and plays a role similar to the spectator's. In this picture too we can see birds on the roof of the stable, but they are shaped more firmly and realistically (as are the figures) than in the work of the Master of Trebon.

In spite of the simplicity of the presentation and the somewhat rugged shaping of the figures with their rather large heads the susceptibility of the International Gothic style to elegance and decorative patterns evinces itself in this painting too. The elegance can be seen in the buoyant lines of the draperies, and in the Virgin's mantle, which clings to her
Natividade

UNKNOWN MASTERS, Bohemian 
Anunciaçao
UNKNOWN MASTERS, Catalan

Coroaçao de Maria

Natividade

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